Tuesday, 29 May 2012

Animation trial

a simple trial to know that i can do it. Still need to think about my elevator and meeting place...

Texture application

Power Model - Draft

Even though it consists of only boxes this model strongly conveys the idea that it is through adversity that power is measured. On the left, the lone rectangle appears the dominant form, it's edges taper upwards distorting persepective. In the middle shot, the tangled, competing conglomerate is imposing however it is unclear where the power lies. Not until one stands in the middle is it clear that the once imposing lone rectangle is dwafed by the fighting mass.

Landscape - Lune Valley

The rolling hills of the lune valley dominated by the model

Monday, 28 May 2012

Textures - Movement

Transverse                                        




Scalar                                              


Rotational                                      


Consider what is something that moves;
Light                                                  


Movement is change, and what is always changing?
Weather                                              


Movement beyond the physical is;
Growth                                                  


Tuesday, 22 May 2012

Two Point Perspectives

Deceiving, Progressive, Inward



Multidirectional, Welcoming, Expanding



Interlocked, Forceful, Independent



Hierarchy, Centralized, Tall



Steadfast, Radical, Outreaching



Formidable, Omnipotent, Grounded

One Point Perspective

Protruding, Fighting. Outstretched



Engulfing, Embody, Overwhelm



Striving, Connected, Conformed



Intimidate, Control, Expand




Relate, Independence, Ascend



Cooperate, Overlook, Struggle






Monday, 21 May 2012

Cry attmpt1

Lune Valley - The Lakes District

Image:
Video:
http://vimeo.com/20199046

Article Mashup


Those with Power will always be faced with adversities. To overcome adversity is a measure of that power;
"the Coca-Cola Company(‘s)… imported orange juice it uses in some of its drink products was found to be tainted with carbendazim"
"Also included in Coke’s $60-million plan is Coca-Cola Recycling… Coca-Cola Recycling plans to open nine centralized recycling centers throughout the United States" 

"The comparison suggests that Google currently offers advertisers more value in terms of both options and results for advertisers, and that Facebook has a lot of catching up to do"
"It’s considered one of those landmark services that made the Web more interactive and social"

"Take-Two Interactive Software Inc. says it has delayed the release of "BioShock Infinite," ... Take-Two’s stock fell 6 percent."
"BioShock Infinite developer Irrational Games has begun advertising for programmers with online experience, suggesting that the game's sudden delay into February is in order to add a multiplayer mode"

Monday, 7 May 2012

Cry Map file

http://www.mediafire.com/?4wyprsnr5de849p

3 Textures Used


Dark Texture

Medium texture

Light texture
I decided not to use any of the textures from the center of my set as they became were too convoluted.

Sunday, 6 May 2012

36 - Textures

Explanation:  
My progression from light to dark occurs radially over the 36 textures. The set is created from four simple patterns displayed in each corner. 
As the textures develop they are overlayed and intertwined.
By the final teir not only is the colour very dark but the patterns becomes indecernable.
The progression from light to dark in this set is thus illuded to by both the physical change in each texture as well as the motion from clarity to ambiguity.



Final Submission

Electroliquid Aggrigation - "Chaotic Horizon"
Alva Alto's use of vertical forms coupled with kengo kumar's horizontiality amalgamate to form a 'chaotic horizon' where persepctive is warped and vision is skewed. Where the two forms meet an 'endless space' is created.

Image 1: The Monumental ascent to the building reflects the architecture of Alva Alto;


Image 2: The Imposing vertical structure tapers off into the horizon;


Image 3: The meeting place zooms into the landscape skewing ones outward vision;


Image 4: The horizontiality of Kengo Kumar's monument streatches the horizon;


Image 5: The textures accentuated by the internal light;