Sunday 24 June 2012

Files

SketchUp models:
http://www.mediafire.com/?ww0h92l1azfmn48
Crysis Map:
http://www.mediafire.com/?mkvm8o72loa7qzb

Final Submission


Coca Cola Image Captures


Facebook Image captures


Video2 - Coca cola elvators


The lift for coke a cola is highly physical, lowering into the earth before transporting you accross to the meeting place.

Video1 - Facebook elevator and Meeting place


Link to youtube: http://youtu.be/4aLw1H8LeCM

The elevator for facebook requires a leap of faith. It embodies the idea that a persons perception is a measure of power. Though physically there is little evidence that this elevator will catch you, and the cost is high if it does not, the thought drives the action.
The dining table where the two corporations meet for lunch is completely even. The supports, the area, the seating and the elevation are all equal between where facebook eats and where coke-a-cola eats. In the end whether power has been measured by the perception of others or by victory over adversity, both corporations are powerful in their own right.
A note about the submission of this post. On Monday the 25th of June before 5pm, youtube returned an error message after an hour of uploading that the file format was not recognised. the link to the 'bad file' is left above. As a result of this I re-recorded using a different program and brought the file home to upload. It was at home I discorvered that the file was 1.42GB and could not realistically be uploaded to youtube. Since then I have been working at my job while attempting a variety of different converting and screen recording programs to compress the file. The final video has been uploaded after the submission deadline but was created before. The work is evident in the crysis map which is submitted and in the youtube link which does not work (below). I hope that this video will be accepted as part of my submission as I have had no extra time doing the project, only uploading to youtube.
Regards
Richard Garland

This is the Link to Youtube  of the bad file

Peer Review


Draft Landscape


Monday 18 June 2012

Rotating

This was really easy and so i dont think that it was what you were asking...

Tuesday 29 May 2012

Animation trial

a simple trial to know that i can do it. Still need to think about my elevator and meeting place...

Texture application

Power Model - Draft

Even though it consists of only boxes this model strongly conveys the idea that it is through adversity that power is measured. On the left, the lone rectangle appears the dominant form, it's edges taper upwards distorting persepective. In the middle shot, the tangled, competing conglomerate is imposing however it is unclear where the power lies. Not until one stands in the middle is it clear that the once imposing lone rectangle is dwafed by the fighting mass.

Landscape - Lune Valley

The rolling hills of the lune valley dominated by the model

Monday 28 May 2012

Textures - Movement

Transverse                                        




Scalar                                              


Rotational                                      


Consider what is something that moves;
Light                                                  


Movement is change, and what is always changing?
Weather                                              


Movement beyond the physical is;
Growth                                                  


Tuesday 22 May 2012

Two Point Perspectives

Deceiving, Progressive, Inward



Multidirectional, Welcoming, Expanding



Interlocked, Forceful, Independent



Hierarchy, Centralized, Tall



Steadfast, Radical, Outreaching



Formidable, Omnipotent, Grounded

One Point Perspective

Protruding, Fighting. Outstretched



Engulfing, Embody, Overwhelm



Striving, Connected, Conformed



Intimidate, Control, Expand




Relate, Independence, Ascend



Cooperate, Overlook, Struggle






Monday 21 May 2012

Cry attmpt1

Lune Valley - The Lakes District

Image:
Video:
http://vimeo.com/20199046

Article Mashup


Those with Power will always be faced with adversities. To overcome adversity is a measure of that power;
"the Coca-Cola Company(‘s)… imported orange juice it uses in some of its drink products was found to be tainted with carbendazim"
"Also included in Coke’s $60-million plan is Coca-Cola Recycling… Coca-Cola Recycling plans to open nine centralized recycling centers throughout the United States" 

"The comparison suggests that Google currently offers advertisers more value in terms of both options and results for advertisers, and that Facebook has a lot of catching up to do"
"It’s considered one of those landmark services that made the Web more interactive and social"

"Take-Two Interactive Software Inc. says it has delayed the release of "BioShock Infinite," ... Take-Two’s stock fell 6 percent."
"BioShock Infinite developer Irrational Games has begun advertising for programmers with online experience, suggesting that the game's sudden delay into February is in order to add a multiplayer mode"

Monday 7 May 2012

Sunday 6 May 2012

36 - Textures

Explanation:  
My progression from light to dark occurs radially over the 36 textures. The set is created from four simple patterns displayed in each corner. 
As the textures develop they are overlayed and intertwined.
By the final teir not only is the colour very dark but the patterns becomes indecernable.
The progression from light to dark in this set is thus illuded to by both the physical change in each texture as well as the motion from clarity to ambiguity.



Final Submission

Electroliquid Aggrigation - "Chaotic Horizon"
Alva Alto's use of vertical forms coupled with kengo kumar's horizontiality amalgamate to form a 'chaotic horizon' where persepctive is warped and vision is skewed. Where the two forms meet an 'endless space' is created.

Image 1: The Monumental ascent to the building reflects the architecture of Alva Alto;


Image 2: The Imposing vertical structure tapers off into the horizon;


Image 3: The meeting place zooms into the landscape skewing ones outward vision;


Image 4: The horizontiality of Kengo Kumar's monument streatches the horizon;


Image 5: The textures accentuated by the internal light;





Thursday 12 April 2012